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Dramatic dance performance Dolcissime sirene / wedding arised from some of the parts of the text of Ottavio Rinuccini’s Intermedi da la Pelegrina, libretto, set to music by a representative of musical humanism, a director and an organizer - count Giovanni De Bardi. It was prepared in occasion of Ferdinando Medici’s and Cristine di Lorena’s wedding. Formally, the performance is inspired freely by the text and searching for other dramatic intermediaries of plato’s idealism and life philosophy in a dramatical / musical form.

The message of the work la Pelegrina from the year 1589 originally was announcing the comeback of the golden age as a signal for the return of joy and life optimism - a symbolic way out of the dark middle age cage. Respect toward this meaningful ritual ceremony has helped us to prepare and create an unusual mise-en-scene for a short moment of life celebration, game of values, doubts, details, thoughts about individuality, love, morale, reality and idealism.

Act of celebration of Medici’s and di Lorena’s wedding is in our case connected with a subjective view of protagonists on the wedding, that has entered history just like any other campaigns dealing with the struggle for power. We are looking at this event from a point of view that exposes history exaggeration and dogmatic messages capturing these moments.

The play is a contemplation of history efforts questioning and its political context to grip the attention on "the big protagonists" as representatives and definers of the truth. It is about truth maturing in each individual independently unenforced by the circumstances /maybe also never captured/. Always subjective in a way, with its own responsibility. The glory of for example the end of middle age as an apotheosis of the battle of good and bad is appearing as adequate. But the battle of good and bad was always just a struggle of individuality of an individual within himself. Politics and the struggle for political power can only get closer to this battle, but it can never become its slight component.


Name / title:
Debris Company / Dolcissime Sirene
Duration: cca 35 min.

Daniel Raček, Stanislava Vlčeková
Jozef Vlk
Music and conception:
Ján Boleslav Kladivo vs Jozef Vlk
Costumes and stage design:
Marija Havran
Light design:
Jozef Vlk



Theatre music:


Production Index /1990-2021/

1990 Comic mirror
1991 ..on the ground.. / a dato vs. hubris company
1991 Screaching pipes of nothingness / hubris company
1991 Point on the horizon / a dato vs hubris company
1992 Ulysses / hubris company
1992 Something in the way / hubris company vs a dato
1993 UBU-celzia krona / hubris company
1994 Murphy / hubris company

1995 code:QUTNXZ84/8Y / debris company

1995 Nobody knows / debris company
1997 Ode to filth / theatre la fabriks_du merlan vs debris company
1997 Biology of an obstacle / debris company
1998 Cosmidiot / debris company
2006 Soliloquy / debris company
2007 Dolcissime sirene / debris company
2007 Ortopoetikum / maja hriesik vs. debris company
2008 HEXEN / debris company
2010 Between a rock and a hard place / produced for MESA Prague
2010 MONO / debris company

SOFA: / presented by debris company
2012 power power dance / debris company_verte_anna steller
2012 Oblaky / martin cicvak_debris company
2012 KOLISKY_battle zone / debris company
2012 EPIC / debris company
2014 CLEAR / debris company

2015 ROOTS / debris company dance studio Banska Bystrica

2017 WOW! / debris company
2017 Únos Európy / debris company

2019 JÓB / debris company / Peter Lomnický
GLITCH / debris company

MONOGRAPH / debris company / Dáša Čiripová
2021 HUNGER / debris company



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